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    • Adrián Villar Rojas, Rosario, Argentina 1980

      Adrián Villar Rojas

      Rosario, Argentina 1980

      Adrián Villar Rojas is an internationally acclaimed Argentine artist whose large-scale, site-specific installations combine sculpture, drawing, video and literature to explore ideas of extinction, time and a post-Anthropocene world. He represented Argentina at the 54th Venice Biennale in 2011 and has exhibited at major international institutions including the Serpentine Galleries, the Metropolitan Museum of Art and the Art Gallery of New South Wales.

      Publication Support, Argentine Pavilion, 54th Venice Biennale, 2011. Exhibition Support, Serpentine Gallery, London, 2013. Exhibition Support, Art Gallery of New South Wales, Sydney, 2022.

    • Allan Webber, Rio de Janeiro, Brazil 1992

      Allan Webber

      Rio de Janeiro, Brazil 1992

      Allan Webber explores the relationship between drawing, sculpture, and experimental architecture, his practice utilizes lightweight structures, wire installations, and assemblages of industrial or salvaged materials to investigate geometric fragility, spatial tension, and visual systems in dialogue with their environment.

      Exhibition Support & Artist Residency, Nottingham Contemporary.

    • Amalia Pica, Neuquén, Argentina 1978

      Amalia Pica

      Neuquén, Argentina 1978

      Amalia Pica is an Argentine artist based in London whose practice explores communication, language and civic participation through sculpture, installation, photography, performance and drawing. Her work examines the ways people communicate and create shared meanings, often using everyday materials and playful forms to explore social and political relationships.

      Artwork Donation, Tate. Exhibition Support, Chisenhale Gallery, London.

    • Ana Bidart , Montevideo, Uruguay 1985

      Ana Bidart

      Montevideo, Uruguay 1985

      Ana Bidart explores everyday gestures, temporality, and traces of movement, her practice utilizes drawing, installation, and spatial interventions with simple found materials to record subtle accidents, displacements, and the poetic interaction between objects and their environment.

      Artist Residency, Delfina Foundation. Artist Residency, Flora Ars+Natura.

    • Benjamín Felice, Tucumán, Argentina 1990

      Benjamín Felice

      Tucumán, Argentina 1990
      Benjamín Felice's practice explores sculpture and installation through the manipulation of organic and industrial materials that evoke mutation, flesh, and states of decay or transformation. His work constructs material fictions and hybrid objects that challenge conventional notions of the body, form and the vitality of matter.
      Exhibition Support, Móvil Arte Contemporáneo.
    • Celina Eceiza, Tandil, Argentina 1988

      Celina Eceiza

      Tandil, Argentina 1988

      Celina Eceiza's practice centres on textiles, drawing and assemblage, creating immersive installations that explore the sacred and the everyday. Her work engages with the warmth of the home, the body and the spiritual realm through artisanal techniques and the use of natural dyes

      Exhibition Support, Móvil Arte Contemporáneo.

    • Denise Groesman , Buenos Aires, Argentina 1989

      Denise Groesman

      Buenos Aires, Argentina 1989

      Denise Groesman is a visual artist, set designer and actress whose practice explores the boundaries between visual art, installation, performance and theatre. Using everyday materials, assemblage and painting, she creates organic environments and intimate narratives that explore memory, the body and sensory space.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Elena Dahn, Buenos Aires, Argentina 1977

      Elena Dahn

      Buenos Aires, Argentina 1977

      Elena Dahn's practice investigates the tension between body and matter by questioning the boundaries of space, volume, and form, through sculptures, paintings, and performative installations using latex and flexible materials. 

      Exhibition Support, Móvil Arte Contemporáneo

    • Facundo de Zuviría, Buenos Aires, Argentina 1954

      Facundo de Zuviría

      Buenos Aires, Argentina 1954

      Facundo de Zuviría is a leading figure in Argentine urban photography, his practice records the architecture, shopfronts, popular graphics, and house facades of Buenos Aires, building a poetic city archive characterized by composite series and meticulous framing.

      Exhibition  Support, Americas Society.

    • Fanny Sanin, Bogotá, Colombia 1938

      Fanny Sanin

      Bogotá, Colombia 1938

      Fanny Sanín is a fundamental figure in Latin American geometric abstraction, her practice is characterized by a rigorous study of color, symmetry, and compositional structure, developed through a meticulous process of gouache sketches before translating precise chromatic bands and forms to canvas.

      Exhibition  Support, Americas Society.

    • Fernell Franco, Valle del Cauca, Colombia 1942 - 2006

      Fernell Franco

      Valle del Cauca, Colombia 1942 - 2006

      Fernell Franco is a key figure in modern Latin American photography, his practice documents the urban landscape of Cali, marginal spaces, and social realities using dramatic light contrasts alongside manual interventions, toning, and collage.

      Exhibition  Support, Americas Society.

    • Florencia Bohtlingk, Buenos Aires, Argentina 1966
      Artists

      Florencia Bohtlingk

      Buenos Aires, Argentina 1966

      Florencia Bohtlingk is an Argentine painter and draftswoman whose work focuses on the tropical landscape, flora, fauna, and everyday life of the Argentine Litoral region, using a vibrant palette and a fluid gesture to capture the lushness of the Misiones jungle, portraits of rural life, and intimate scenes that merge nature and human experience in an exuberant, personal poetic.

      Exhibition Support, Flora Ars+Natura. 

    • Florencia Sadir, Tucumán, Argentina 1991

      Florencia Sadir

      Tucumán, Argentina 1991

      Florencia Sadir explores the relationship between territory, organic matter and artisanal practices in northwestern Argentina. Through drawing, sculpture and installation, she works with locally sourced materials — including mud, clay, plant fibres, wicker and wood — to investigate drying processes, vernacular storage structures and the traces of manual labour in the construction of the landscape.

      Exhibition Support, Flora Ars+Natura.

    • Guido Yannitto, Mendoza, Argentina 1981

      Guido Yannitto

      Mendoza, Argentina 1981

      Guido Yannitto develops his practice around textiles, drawing, sculpture, and video, crossing contemporary art with ancestral craft traditions, most notably collaborating with weavers from the Calchaquí Valleys to translate visual abstractions and digital images into wool tapestries while exploring geography, collective work, and cultural transmission in northwestern Argentina.

      Artist Residency, Flora Ars+Natura. Artist Residency, Studio Voltaire. 

    • Irina Kirchuk, Buenos Aires, Argentina 1983

      Irina Kirchuk

      Buenos Aires, Argentina 1983

      Irina Kirchuk works with sculpture and installation, assembling and reconfiguring everyday objects, found materials, and discarded architectural elements. Her practice explores geometry, mass-consumer functionality, and the tension between domestic space and modern design.

      Exhibition Support, Móvil Arte Contemporáneo. 

    • Jair Jesús Toledo , Córdoba, Argentina 1996

      Jair Jesús Toledo

      Córdoba, Argentina 1996

      Jair Jesús Toledo's practice focuses on painting, drawing and objects, exploring popular iconography, consumer culture and contemporary identities. Through vibrant compositions charged with urban symbolism, his work constructs visual narratives that create tensions between the sacred, the profane and mass culture.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Jazmín López, Buenos Aires, Argentina 1985

      Jazmín López

      Buenos Aires, Argentina 1985

      Jazmín López is a visual artist and filmmaker working through installation, video, painting, and film directing, whose work addresses themes such as political history, collective memory, the representation of time, and power narratives by combining a careful cinematic aesthetic with archival research and spatial interventions.

      Artist Residency, Flora Ars+Natura. 

      Artist Residency, Flora Ars+Natura. 

    • Joaquín Boz, Buenos Aires, Argentina 1987

      Joaquín Boz

      Buenos Aires, Argentina 1987

      Joaquín Boz explores large-scale abstract painting through a visceral, physical relationship with matter. His practice applies thick layers of oil paint by hand to explore texture, colour tension, and unmediated gesture.

      Exhibition Support, Móvil Arte Contemporáneo. 

    • Jimena Croceri, Neuquén, Argentina 1981

      Jimena Croceri

      Neuquén, Argentina 1981

      Jimena Croceri explores fluids, gravity, acoustics, and the passage of time through installation, sculpture, performance, and sound, investigating the physics of natural materials—such as water, ice, and light—and the interaction of bodies with their environment to create poetic, unstable devices that register the constant transformation of physical phenomena and sensory perception.

      Artist Residency, Flora Ars+Natura. 

    • Juan Gugger, Córdoba, Argentina 1986

      Juan Gugger

      Córdoba, Argentina 1986

      Juan Gugger develops a practice focused on sculpture, installation, and site-specific interventions that explore architecture, industrial materials, and the dynamics of urban space, using ephemeral structures, packaging systems, cardboard, and waste materials to reflect on obsolescence, global capitalism, transport infrastructures, and the relationship between environmental fragility and viewer perception.

      Artist Residency, Flora Ars+Natura. 

    • Julian DÀngiolillo, Buenos Aires, Argentina 1977

      Julian DÀngiolillo

      Buenos Aires, Argentina 1977
      Julián D'Angiolillo is a visual artist, playwright and filmmaker whose practice explores the transformation of public space, urban margins and territorial dynamics. His work combines documentary essay, installation and spatial intervention to investigate informal architecture, the circulation of goods and the cartographies of the periphery.
      Exhibition Support, Móvil Arte Contemporáneo.
    • Lucia Reissig, Buenos Aires, Argentina 1994

      Lucia Reissig

      Buenos Aires, Argentina 1994

      Lucía Reissig's practice encompasses sculpture, installation and performance, exploring tensions surrounding domestic and informal labour, care and the politics of food. Through the use of everyday and industrial materials, the artist transforms objects from daily life into works that bring visibility to labour precarity and the memory of the body from a critical and feminist perspective.

      Exhibition Support, Móvil Arte Contemporáneo

    • Manuel Molina, Córdoba, Argentina 1988

      Manuel Molina

      Córdoba, Argentina 1988

      Manuel Molina works across painting, writing, and image conceptualisation; his practice analyses representation systems, institutional archives, and the intersection between critical theory and visual production.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Mariana Ferrari , Tucumán, Argentina 1975

      Mariana Ferrari

      Tucumán, Argentina 1975
       Mariana Ferrari's practice investigates the possibilities of material, form and volume through sculpture, drawing and spatial constructions. Her work uses organic and industrial elements to create compositions of fragile equilibrium that engage with architecture, weight and bodily tension.
      Exhibition Support, Móvil Arte Contemporáneo.
       
       
       
       
       
    • Marta Minujín, Buenos Aires, Argentina 1943

      Marta Minujín

      Buenos Aires, Argentina 1943

      Marta Minujín is a pioneer of conceptual art, happenings, and pop and inflatable sculpture, her practice features monumental participatory works that challenge traditional museum formats through ephemeral, multisensory, and mass experiences celebrating freedom, color, and popular culture.

      Exhibition Support, Americas Society. Exhibition Support, Jewish Musuem, NYC. Artwork donation to the Centre Pompidou, Paris.

    • Max Gómez Canle, Buenos Aires, Argentina 1972

      Max Gómez Canle

      Buenos Aires, Argentina 1972

      Max Gómez Canle is a painter who articulates classical landscape, art history, and digital iconography into an anachronistic poetics, using a meticulous technique rooted in Flemish and Renaissance painting to incorporate metaphysical elements, floating geometry, and references to metaphysics or video games to question the perception of time, nature, and pictorial representation.

      Exhibition Support, Flora Ars+Natura.

    • Mercedes Azpilicueta, Buenos Aires, Argentina 1981

      Mercedes Azpilicueta

      Buenos Aires, Argentina 1981

      Mercedes Azpilicueta explores the body, language, feminist memory, and folklore through tapestries, textile sculptures, sound pieces, and costumes. Her practice revisits marginalised historical figures to question power structures and gender identities from a decolonial and poetic perspective.

      Exhibition Support, Móvil Arte Contemporáneo

    • Mimi Laquidara, Entre Ríos, Argentina, 1989

      Mimi Laquidara

      Entre Ríos, Argentina, 1989

      Mimi Laquidara explores the dynamics of everyday objects, still life, and spatial perception through painting, drawing, and sculpture, investigating the subtle details of domesticity and ornamental gestures to translate mundane elements of the environment into synthetic compositions of great chromatic and formal sensitivity.

      Artist Residency, Flora Ars+Natura.

    • Nicolás García Uriburu , Buenos Aires, Argentina 1937–2016

      Nicolás García Uriburu

      Buenos Aires, Argentina 1937–2016

      Nicolás García Uriburu (1937–2016) was an Argentine artist, architect and pioneer of land art, whose practice explored the relationship between nature, society and environmental responsibility. Best known for his interventions in natural environments, including his iconic green colouring of the Grand Canal of Venice in 1968, he used art to raise awareness of ecological issues and the impact of human activity on the environment.

      Exhibition Support for the Argentine Pavilion, 57th Venice Biennale, 2017.

    • Nicolás Mastracchio, Buenos Aires, Argentina 1983

      Nicolás Mastracchio

      Buenos Aires, Argentina 1983

      Nicolás Mastracchio's practice focuses on constructed photography and installation, creating intricate, ephemeral three-dimensional compositions from everyday objects, which he then photographs. Through this process, the artist explores the boundaries between reality and digital illusion, challenging the viewer’s visual perception of weight, balance and gravity.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Nicolás Sarmiento, Buenos Aires, Argentina 1986

      Nicolás Sarmiento

      Buenos Aires, Argentina 1986

      Nicolás Sarmiento explores installation, drawing, and sculptural assemblage using gathered urban fragments, organic remains, and industrial materials. His practice investigates decay, object circulation systems, and the tension between biological fragility and manufactured environments.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Pamela Desjardins, Tucumán, Argentina 1982

      Pamela Desjardins

      Tucumán, Argentina 1982

      Pamela Desjardins is a curator, researcher, and art historian focused on contemporary Latin American practices whose curatorial and research work investigates the intersections among body, gender, ecology, and institutional archives by developing exhibition projects, critical texts, and art residencies that foster dialogue between emerging and established artists.

      Cuartor,  Flora Ars+Natura. 

    • Santiago de Paoli, Buenos Aires, Argentina 1978

      Santiago de Paoli

      Buenos Aires, Argentina 1978

      Santiago de Paoli explores small-scale painting and objects made on unconventional supports like felt, wood, stone, or hazelnut shells. His work features surreal figurative imagery that investigates the human body, astronomical phenomena, and matter.

      Exhibition Support, Móvil Arte Contemporáneo. 

    • Sebastián Roque, Río Negro, Argentina 1982

      Sebastián Roque

      Río Negro, Argentina 1982

      Sebastián Roque centers his practice on painting and drawing, juxtaposing popular graphics, digital culture, and comics to reflect on image overstimulation and contemporary communication forms.

      Exhibition Support, Móvil Arte Contemporáneo. 

    • Tomás Maglione, Buenos Aires, Argentina 1985

      Tomás Maglione

      Buenos Aires, Argentina 1985

      Tomás Maglione works across installation, video, sculpture, and drawing to explore public space and urban habits. His practice intercepts utilitarian logic with subtle humour, everyday absurdities, and the poetics of the ephemeral.

      Exhibition Support, Móvil Arte Contemporáneo.

    • Valentina Díaz, Tucumán, Argentina 1985

      Valentina Díaz

      Tucumán, Argentina 1985

      Valentina Díaz investigates the boundaries between the body, costume, dance, and sculpture through performative installations, textile pieces, and dynamic objects, focusing her practice on how matter relates to movement to create set designs and costumes that challenge traditional body shapes and activate speculative fictions about identity and spatial perception.

      Artist Residency, Flora Ars+Natura.

    • Xul Solar, Buenos Aires, Argentina 1886-1963

      Xul Solar

      Buenos Aires, Argentina 1886-1963

      Xul Solar is one of Latin American art's most unique avant-garde figures, his practice spans painting, sculpture, astrology, and linguistics to create mystical, utopian worlds defined by fantastic architecture, esoteric symbols, floating figures, and invented artificial languages.

      Exhibition  Support, Americas Society

    • Ad Minoliti, Buenos Aires, Argentina 1980

      Ad Minoliti

      Buenos Aires, Argentina 1980
      Ad Minoliti's practice combines painting, installation and design to revisit the tradition of geometric abstraction from feminist and queer perspectives, imagining alternative ways of relating, learning and inhabiting spaces.
      Artist Residency, Gasworks. Artwork Donation to Tate.
    • Clara Esborraz, Rafaela, Santa Fe 1991

      Clara Esborraz

      Rafaela, Santa Fe 1991
      Clara Esborraz's practice is primarily developed through drawing, constructing scenes in which bodies, objects and everyday spaces transform and take on unexpected behaviours, situated between humour, strangeness and imagination.
      Artist Residency, Gasworks
    • Emilia Álvarez, Buenos Aires, Argentina 1985

      Emilia Álvarez

      Buenos Aires, Argentina 1985
      Emilia Álvarez's practice explores the relationships among bodies, matter, and the environment, working with installations, objects, and interventions that incorporate natural forces and organisms to investigate the points of contact between the human and the non-human.
      Artist Residency, Gasworks.
    • Gabriel Chaile , Tucumán, Argentina 1985

      Gabriel Chaile

      Tucumán, Argentina 1985
      Gabriel Chaile's practice draws on the histories of northwestern Argentina and archaeological and ethnographic ceramic artefacts from the region, exploring what he describes as a “genealogy of form” and the ways in which ancestral knowledge and Indigenous beliefs endure through material culture.
      Exhibition Support, Studio Voltaire. 
    • Joaquín Aras, Buenos Aires, Argentina 1985

      Joaquín Aras

      Buenos Aires, Argentina 1985

      Joaquín Aras's practice explores the relationship between image, memory and narrative, with particular attention to the affective distance between media and their audiences.

      Artist Residency, Gasworks. 

    • Lucrecia Lionti, Tucumán, Argentina 1985

      Lucrecia Lionti

      Tucumán, Argentina 1985
      Lucrecia Lionti's practice combines textiles, objects, images and words to explore the relationships between labour, economics and affect, reclaiming materials, techniques and forms of knowledge associated with everyday and collective experiences.
      Artist Residency, Gasworks. 
    • Julia Padilla, Buenos Aires, Argentina 1991

      Julia Padilla

      Buenos Aires, Argentina 1991
      Julia Padilla's practice investigates painting through its material, spatial and perceptual dimensions, exploring its structures and surfaces while expanding its possibilities beyond the traditional boundaries of the medium.
      Artist Residency, Gasworks. 
    • Nicolás Gullota, Buenos Aires, Argentina 1983

      Nicolás Gullota

      Buenos Aires, Argentina 1983
      Nicolás Gullotta's practice encompasses sculpture, installation and image-making, often starting from everyday objects and materials to explore their cultural, historical and affective associations.
      Artist Residency, Gasworks. 
    • Nicolás Said , Buenos Aires, Argentina 1986

      Nicolás Said

      Buenos Aires, Argentina 1986
      Nicolás Said's practice focuses on drawing, particularly black-and-white figurative work, through which he constructs imaginary worlds inspired by folklore, religious iconography, symbolism and surrealism. Drawing on inherited narratives, he reshapes them into fictional universes filled with epics, odes and legends, exploring themes of mythology, family ties and the creation of new narratives through a lens of queerness and strangeness.
      Artist Residency, Studio Voltaire.
    • Pablo Accinelli, Buenos Aires, Argentina 1983

      Pablo Accinelli

      Buenos Aires, Argentina 1983
      Pablo Accinelli's practice explores the relationships between systems of organisation, economics and everyday life through drawings, objects and installations that examine the ways in which we produce, distribute and assign value.
      Artist Residency, Gasworks. 
    • Osias Yanov, Buenos Aires, Argentina 1980

      Osias Yanov

      Buenos Aires, Argentina 1980
      Osías Yanov's practice brings together performance, installation and sculpture to investigate the relationships between body, movement and space, exploring alternative forms of encounter, organisation and coexistence.
      Artist Residency, Gasworks.
    • Renata Molinari, Buenos Aires, Argentina 1996

      Renata Molinari

      Buenos Aires, Argentina 1996
      Renata Molinari's practice explores the relationships between body, matter and environment through sculpture, installation and performance, with a particular focus on processes of transformation and the ways in which different materials interact.
      Artist Residency, Gasworks.
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